Guitar Fest
The News Review:
- Guitar Fest
- U2’s ‘No Line on the Horizon’: First impressions
- An Evening of Dialogue and Music with Dick Dale
- Pop Music’s Perpetual ld Man Now 74 Is Back on the Road
Guitar Fest
Clarksville Leaf Chronicle TN -
Gary Stewart and Luke Finney perform Monday and Mir Ali performs Tuesday. Yates said the Guitar Fest began in 2005 when the much-revered LA Guitar Quartet made an unprecedented visit to APSU. “I built a festival around it” Yates said. Yates is a sought-after guitarist at far-flung festivals and performance halls and as such is part of a circle of the world’s best guitarists. He has invited some of them to perform at APSU over the years.
U2’s ‘No Line on the Horizon’: First impressions
Chicago Tribune United States -
The melody is borrowed from the 12th Century hymn ?h Come h Come Emmanuel. ? A chilled stunner that probably should?ve ended the album. Breathe: All coiled tension relieved by some guitar power chords. Another would-be stadium-rocker with the ham-fisted Lillywhite at the producer?s wheel. Edge gets bombastic on guitar tries to play the blues and sounds clumsy doing it. Bono tries to channel Patti Smith and babbles on about ?JuJu men. ? Cedars of Lebanon: Ending with a whimper.
Related from Nukleardawn: U2’s ‘No Line on the Horizon’: First impressions
An Evening of Dialogue and Music with Dick Dale
antiMUSIC.com CA -
Scheduled for Thursday March 5 at the Guitar Center in Fountain Valley CA the evening will focus on Dale’s historic role in the evolution of rock guitar the secrets behind his technique and his long-standing relationship with Fender® Musical Instruments. Presented in conjuncture with Fender Musical Instruments and Dean Markey the event is free and open to the public. Known worldwide as the “King of the Surf Guitar” Dick Dale will be forever known as the man behind the epic instrumental “Miserlou. ” Dale is largely credited as having “invented” surf guitar launching an entire genre of American music.
Pop Music’s Perpetual ld Man Now 74 Is Back on the Road
New York Times United States -
(It should be noted that the flamenco-tinged flourishes by Javier Mas on bandurria and laúd were more palatable than the ardently cloying solos by Dino Soldo on saxophones. ) When most of the group dropped out for an austere “Suzanne” with Mr. Cohen on acoustic guitar the effect was salutary: suddenly there was flow in the music a feeling of breath and fluctuation. Cohen like anyone else who isn’t João Gilberto would have struggled to cast that spell over the course of the concert. He needed the band for atmosphere as well as support. And what he got from his backup singers Sharon Robinson and the Webb Sisters was abidingly deep: their airy harmonies offset Mr.
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