Guitar legend Bill Frisell’s diverse songbook defies his jazz…

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- Guitar legend Bill Frisell’s diverse songbook defies his jazz…
- kd lang live reviews | Music | Arts & Entertainment – Times nline
- North Mississippi Allstars – Music – Review – New York Times
- Interview Sheryl Crow on RollingStone.com!
- Joe | Music Artist | Videos News Photos & Ringtones | MTV

Guitar legend Bill Frisell’s diverse songbook defies his jazz…
Malaysia Star – Jan 31, 2008
The better he got the more he avoided the showoff style of guitar gymnastics that flourished in the late 1960s. “He has plenty of chops but he’s very comfortable in not using those chops to impress” says University of North Texas jazz professor Fred Hamilton a bandmate of Frisell when both attended the University of Northern Colorado. “His music is really honest. There’s no sense of ego. It just sounds like someone singing through the guitar. ” But as honest as he is he wasn’t always open-minded. After falling in love with jazz in the 1970s he refused to listen to anything except Charlie Parker Thelonious Monk and other pure jazz artists.

kd lang live reviews | Music | Arts & Entertainment – Times nline
Times nline – Jan 31, 2008
With the pop world suddenly in thrall to a bevy of young female torchsingers here is a star who really knows the stylistic and emotional ropesof the genre. To begin with though there was a shyness between the singer and her fans. Wearing a man’s waistcoat and suit trousers she strode barefoot on to thestage an acoustic guitar strapped across her back. There was a lot of new material to be presented and she waded straight inwith the gently sighing samba rhythm of Upstream. “The punchline is Ialways swim upstream” she sang marrying a lyric of world-wearyintrospection with a melody of understated elegance which set the tone. Her backing band which incorporated generally younger faces than in the pastplayed with restraint and grace. Brushes swished across the snare drum andan upright bass twanged as she revisited Chris Isaak’s song WesternStars lending the ensemble the air of a classy lounge bar band.

North Mississippi Allstars – Music – Review – New York Times
New York Times – Jan 31, 2008
For most of the night though Mr. Dickinson was the lone guitarist a role he tackled tirelessly. He’s an impressive player in the Southern guitar-hero mold proficient with a slide and given to soaring digressions. n “Keep the Devil Down” he flirted with the blues language of… (When the other Mr. Dickinson picked up a guitar to harmonize with his lines their Allman Brothers evocation went beyond the conceptual. ) It’s no wonder that the Allstars have a fan base skewed more toward the jam-band circuit than the blues-revivalist crowd. But the penultimate song in the show could have appealed to both constituencies. It began with a spacey guitar invocation before Mr.

Interview Sheryl Crow on RollingStone.com!
Rolling Stone – Jan 31, 2008
And here is a quote for you from Shakespeare that I love “Men in all things constant Never. She seems to be everywhere in the media. I read the interview in Rolling Stone and noticed she doesn’t really give a preference for the Presidency. Between her concerts in Florida Global Warming campaign and her work in Louisiana she may still be able to influence the outcome of the election. The “Love is Free” song is a winner.

Joe | Music Artist | Videos News Photos & Ringtones | MTV
MTV.com – Jan 31, 2008
getRhapRssFeed(10110 “artist” getRhapTracksRSS); Full BiographyAn accomplished vocalist of smooth and sultry R&B productions with occasional hip-hop beats Joe’s extensive background in gospel music has allowed him to produce his albums as well as sing on them. A native of Georgia Joe later moved to pelika AL; since he was the son of two preachers he spent much time in church singing playing guitar and even directing the choir. Influenced early on by gospel stars like the Winans Commissioned and Vanessa Bell Armstrong Joe grew to love soul legends… Joe graduated from high school and continued to sing and write music while working at occasional temporary jobs. Finally he traveled to New Jersey hoping to make connections in the music industry. While working at a gospel record store and continuing his music education through a local church he met producer Vincent Herbert and recorded a three-song demo tape. He signed to Polygram and in 1993 released his album debut Everything.

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